Marc-Antoine Charpentier, Teresa Wakim, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs made "Les arts florissants, H. 487, Scene 1: Que mes divins concerts" available on August 2, 2019. The duration of Les arts florissants, H. 487, Scene 1: Que mes divins concerts is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Les arts florissants, H. 487, Scene 1: Que mes divins concerts's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 28 in Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487 by Marc-Antoine Charpentier, Teresa Wakim, Virginia Warnken, Jesse Blumberg, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Les arts florissants, H. 487, Scene 1: Que mes divins concerts is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Les arts florissants, H. 487, Scene 1: Que mes divins concerts by Marc-Antoine Charpentier, Teresa Wakim, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
David et Jonathas, H. 490, Prologue Scène 3: Quoi ! je parle, et l'enfer autrefois si fidèle (la Pythonisse) | Marc-Antoine Charpentier, Jean-Francois Lombard, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dies iræ, S. 31: Quantus tremor est futurus | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Minor | 2 | 10A | 91 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Te Deum for Soloists, Chorus and Orchestra, H. 146: Te aeternum Patrem (Chorus, Soprano I/II, Mezzo-Soprano, Tenor) | Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | C Major | 4 | 8B | 106 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
Pestis mediolanensis, H. 398: Prélude pour Horrenda pestis - Horrenda pestis Mediolanum vastabit | Marc-Antoine Charpentier, Stephen Collardelle, Davy Cornillot, Renaud Brès, Ensemble Correspondances, Sébastien Daucé | B Major | 1 | 1B | 87 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM |
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