Messiah, HWV 56: Part 2: How beautiful are the feet (Air) - Nikolaus Harnoncourt Information

Acousticness: 97%
Danceability: 32%
Energy: 11%
Instrumentalness: 0%
Liveness: 75%
Loudness: 65%
Speechiness: 4%
Valence: 17%
Popularity: 1%
Loudness: -20.994 dB

Summary

"Messiah, HWV 56: Part 2: How beautiful are the feet (Air)" by Nikolaus Harnoncourt was released on 2005. The duration of Messiah, HWV 56: Part 2: How beautiful are the feet (Air) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Messiah, HWV 56: Part 2: How beautiful are the feet (Air)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 14 out of 47. In terms of popularity, Messiah, HWV 56: Part 2: How beautiful are the feet (Air) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah, HWV 56: Part 2: How beautiful are the feet (Air) BPM

We consider the tempo marking of Messiah, HWV 56: Part 2: How beautiful are the feet (Air) by Nikolaus Harnoncourt to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Messiah, HWV 56: Part 2: How beautiful are the feet (Air) Key

This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto	Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra	A Minor	2	8A	80 BPM
Violin Concerto in E Major, D. 50: I. Allegro	Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl	E Major	1	12B	78 BPM
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante	Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester	C Major	0	8B	74 BPM
Violin Concerto In D, Op.35, TH. 59: 3. Finale (Allegro vivacissimo)	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	D Major	2	10B	81 BPM
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum	Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti	F♯ Minor	3	11A	71 BPM
Sonata in E Minor (Allegrissimo), Kk. 98	Domenico Scarlatti, Ivo Pogorelich	E Minor	0	9A	84 BPM
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro	Johann Christian Bach, Concerto Köln	F♯ Minor	1	11A	87 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre	François Couperin, Iddo Bar-Shaï	C Major	3	8B	145 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	2	7A	145 BPM
Concerto grosso in D, Op.6, No.1: 2. Largo	Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner	B Minor	2	10A	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7333307266235352

End: 0.7392873764038086