La Capella Reial De Catalunya, Hespèrion XXI, Simon Zwiers, Jordi Savall, Sergi Casademunt, Eunice Brando, Lorenz Duftschmid made "Gesproken tekst 11: "Erasmus. Over de opvoeding van de christelijke vorst" (1516)" available on 2012. The duration of Gesproken tekst 11: "Erasmus. Over de opvoeding van de christelijke vorst" (1516) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Gesproken tekst 11: "Erasmus. Over de opvoeding van de christelijke vorst" (1516)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Gesproken tekst 11: "Erasmus. Over de opvoeding van de christelijke vorst" (1516)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Gesproken tekst 11: "Erasmus. Over de opvoeding van de christelijke vorst" (1516) by La Capella Reial De Catalunya, Hespèrion XXI, Simon Zwiers, Jordi Savall, Sergi Casademunt, Eunice Brando, Lorenz Duftschmid is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Nostre Dame: Sanctus | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | A Minor | 1 | 8A | 132 BPM | ||
Unquiet Thoughts | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Messe vidi turbam magnam: No. 1, Introït. Stratuit ei dominum | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Major | 0 | 10B | 126 BPM | ||
Messe in H-moll, BWV 232: Cum Sancto Spiritu | La Capella Reial De Catalunya | A♭ Major | 4 | 4B | 102 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Si habrá en este baldrés (C.M. Palacio No. 179) | La Capella Reial De Catalunya, Hespèrion XXI, Montserrat Figueras, Laurence Bonnal, John Cabero, Jordi Ricart | D Minor | 3 | 7A | 90 BPM | ||
Première suytte de Bransles d'Escosse | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | C Minor | 2 | 5A | 105 BPM |
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