"Les quatre saisons / Le Printemps, Op. 8, No. 1, RV 269: 2. Largo e pianissimo" by Antonio Vivaldi, Richard Galliano, Jean-Marc Phillips-Varjabédian, Sébastien Surel, Jean-Marc Apap, Eric Levionnois, Stéphane Logerot was released on August 31, 2020. The duration of Les quatre saisons / Le Printemps, Op. 8, No. 1, RV 269: 2. Largo e pianissimo is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Les quatre saisons / Le Printemps, Op. 8, No. 1, RV 269: 2. Largo e pianissimo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 460 in Born in the 1600s: Vivaldi by Antonio Vivaldi. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Les quatre saisons / Le Printemps, Op. 8, No. 1, RV 269: 2. Largo e pianissimo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les quatre saisons / Le Printemps, Op. 8, No. 1, RV 269: 2. Largo e pianissimo by Antonio Vivaldi, Richard Galliano, Jean-Marc Phillips-Varjabédian, Sébastien Surel, Jean-Marc Apap, Eric Levionnois, Stéphane Logerot is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: III. Allegro | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM |
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