"There Is No Rose" by John Scott, New York Polyphony was released on September 2, 2014. The duration of There Is No Rose is about 3 minutes long, at 3:18. Based on our data, "There Is No Rose" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Sing Thee Nowell". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, There Is No Rose is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With There Is No Rose by John Scott, New York Polyphony having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor) | Richard Strauss, Coronation Brass Ensemble, Paul Wynne Griffiths | C Major | 2 | 8B | 95 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
Psalm 141 "Domine, clamavi" | John Bertalot, St. Paul's Cathedral Choir, Huw Williams, John Scott | A♭ Major | 1 | 4B | 81 BPM | ||
Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
Footsteps In The Attic / Helen Discovers Anne's Body / More Noises From The Attic / Helen Searches The Woods | John Scott | G Minor | 4 | 6A | 75 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
American Triptych: No. 2, The Peace of Wild Things | Jake Runestad, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 58 BPM | ||
Gloria I, Pt. 1 | Coro Laus Deo | B♭ Major | 4 | 6B | 174 BPM | ||
Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight | Thomas Tallis, The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 191 BPM | ||
Grand Choeur Dialogue (Arr. S. McIntosh for Organ & Brass Ensemble) | Eugène Gigout, Saint Thomas Brass, John Scott | D Major | 1 | 10B | 84 BPM |
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