5 Orchestral Pieces, Op. 16: IV. (Peripeteia)
Arnold Schoenberg, London Symphony Orchestra, Robert Craft
Schoenberg, A.: 5 Orchestral Pieces / Brahms, J.: Piano Quartet No. 1 (Orch. Schoenberg)
2:10 November 21, 2006
BPM
103
Key
F Minor
Camelot
4A

Embed

Share Link

5 Orchestral Pieces, Op. 16: IV. (Peripeteia) - Arnold Schoenberg, London Symphony Orchestra, Robert Craft Information

Acousticness
97%
Danceability
18%
Energy
3%
Instrumentalness
89%
Liveness
8%
Loudness
54%
Speechiness
4%
Valence
4%
Popularity
Loudness
-27.771 dB

Summary

"5 Orchestral Pieces, Op. 16: IV. (Peripeteia)" by Arnold Schoenberg, London Symphony Orchestra, Robert Craft was released on November 21, 2006. The duration of 5 Orchestral Pieces, Op. 16: IV. (Peripeteia) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 5 Orchestral Pieces, Op. 16: IV. (Peripeteia)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Schoenberg, A.: 5 Orchestral Pieces / Brahms, J.: Piano Quartet No. 1 (Orch. Schoenberg)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 5 Orchestral Pieces, Op. 16: IV. (Peripeteia) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

5 Orchestral Pieces, Op. 16: IV. (Peripeteia) BPM

With 5 Orchestral Pieces, Op. 16: IV. (Peripeteia) by Arnold Schoenberg, London Symphony Orchestra, Robert Craft having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

5 Orchestral Pieces, Op. 16: IV. (Peripeteia) Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: I. GraveArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Minor17A174 BPM
Gurrelieder / Pt. 3: XXII. Mixed Chorus: Seht die Sonne by Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan RozehnalGurrelieder / Pt. 3: XXII. Mixed Chorus: Seht die SonneArnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan RozehnalE Major312B89 BPM
Moses und Aron / Act I: Du Sohn meiner Väter (Aron, Moses) by Arnold Schoenberg, David Pittman-Jennings, Chris Merritt, Royal Concertgebouw Orchestra, Pierre BoulezMoses und Aron / Act I: Du Sohn meiner Väter (Aron, Moses)Arnold Schoenberg, David Pittman-Jennings, Chris Merritt, Royal Concertgebouw Orchestra, Pierre BoulezD♭ Major13B81 BPM
Lyric Pieces, Book 5, Op. 54: Nocturne by Edvard Grieg, Alessio BaxLyric Pieces, Book 5, Op. 54: NocturneEdvard Grieg, Alessio BaxC Major08B72 BPM
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) by Clara Schumann, Sophie Kauer, Kunal Lahiry3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)Clara Schumann, Sophie Kauer, Kunal LahiryD♭ Major03B68 BPM
Sonata No. 42 in D Minor (Arr. Ólafsson) by Domenico Cimarosa, Víkingur ÓlafssonSonata No. 42 in D Minor (Arr. Ólafsson)Domenico Cimarosa, Víkingur ÓlafssonD Minor07A61 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-MasonA Major111B89 BPM
String Trio, Op. 45: 1st Episode by Arnold Schoenberg, Walter Levin, Peter Kamnitzer, Lee FiserString Trio, Op. 45: 1st EpisodeArnold Schoenberg, Walter Levin, Peter Kamnitzer, Lee FiserF Major17B130 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered by Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraPiano Concerto in A Minor, Op. 16: II. Adagio - RemasteredEdvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraD♭ Major03B86 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): IV. SéguedilleGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Major010B176 BPM
ISRC
HKI190647704
Label
L-M Records/RCA Records

Section: 0.6707184314727783

End: 0.6756680011749268