ロイヤル・フィルハーモニー管弦楽団/ヴォーン・ミーキンス(指揮)/Chamber Choir of Tring Park School for the Performing Arts/The Ambrosian Singers's 'ひとりのみどり子われらのために生まれたり(ヘンデル:「メサイア」より)[Unto Us Is Born a Son]' came out on December 3, 2014. The duration of ひとりのみどり子われらのために生まれたり(ヘンデル:「メサイア」より)[Unto Us Is Born a Son] is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. ひとりのみどり子われらのために生まれたり(ヘンデル:「メサイア」より)[Unto Us Is Born a Son]'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 聖なる夜のクリスマス・キャロル(合唱団&オーケストラによる名曲集), so we believe that "ひとりのみどり子われらのために生まれたり(ヘンデル:「メサイア」より)[Unto Us Is Born a Son]" is a single. Based on our statistics, ひとりのみどり子われらのために生まれたり(ヘンデル:「メサイア」より)[Unto Us Is Born a Son]'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ひとりのみどり子われらのために生まれたり(ヘンデル:「メサイア」より)[Unto Us Is Born a Son] by ロイヤル・フィルハーモニー管弦楽団/ヴォーン・ミーキンス(指揮)/Chamber Choir of Tring Park School for the Performing Arts/The Ambrosian Singers is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Praetorius: In dulci jubilo | Chanticleer | F Major | 2 | 7B | 109 BPM | ||
Babe of Bethlehem | Edmund Walters, The Choral Arts Society Of Washington, The Choral Arts Society of Washington Orchestra, Norman Scribner | E♭ Major | 0 | 5B | 126 BPM | ||
Adeste Fideles | John Francis Wade, Choir Of The Chapel Royal, Martyn Noble, Huw Williams | G Major | 2 | 9B | 98 BPM | ||
Once In Royal David's City | Worcester Cathedral Choir, Robert Stringer, Raymond Johnston, Cecil Frances Alexander, Henry John Gauntlett | G Major | 0 | 9B | 105 BPM | ||
O Little Town of Bethlehem | Barbra Streisand | A♭ Major | 3 | 4B | 92 BPM | ||
Little Drummer Boy | The Tenors | A Major | 4 | 11B | 117 BPM | ||
Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) | Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes | A Major | 1 | 11B | 81 BPM | ||
Silent Night | Joseph Mohr, Franz Xaver Gruber, London Philharmonic Choir, John Alldis, National Philharmonic Orchestra | B♭ Major | 0 | 6B | 80 BPM | ||
Rudolph the Red-Nosed Reindeer | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | B♭ Major | 1 | 6B | 99 BPM | ||
Good King Wenceslas | Bob Chilcott, Belfast Cathedral Choir, Jack Wilson, Matthew Owens | A♭ Major | 1 | 4B | 77 BPM |
Section: 0.65230393409729
End: 0.6556143760681152