- BPM
- 81
- Key
- A Major
- Camelot
- 11B
Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) - Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes Information
- Acousticness
- 92%
- Danceability
- 23%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 71%
- Speechiness
- 3%
- Valence
- 52%
- Popularity
- 4%
- Loudness
- -17.513 dB
Summary
Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes made "Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol)" available on 1986. The duration of Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Carols Album". In this album, this song's track order is #10. Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) BPM
With Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) by Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | In Dulce Jubilo | Mediæval Bæbes | D♭ Major | 1 | 3B | 130 BPM | |
 | O come, all ye faithful (Desc. David Willcocks) | Adeste Fideles, Choir of King's College, Cambridge, Henry Websdale, Stephen Cleobury | G Major | 3 | 9B | 82 BPM | |
 | Kirkpatrick: Away in a Manger (Arr. Ledger) | William J. Kirkpatrick, Choir of King's College, Cambridge, Philip Ledger | F♯ Major | 1 | 2B | 76 BPM | |
 | For unto Us a Child Is Born (From "Messiah, HWV 56") | The Cathedral Singers | G Major | 2 | 9B | 82 BPM | |
 | Goss: Praise, My Soul, the King of Heaven | John Goss, Choir of King's College, Cambridge, Stephen Cleobury | D Major | 2 | 10B | 100 BPM | |
 | In Bethlehem Above | Yshani Perinpanayagam, Somerville College Choir, Oxford, Will Dawes | G Major | 2 | 9B | 108 BPM | |
 | Lully, Lulla, Lullay | Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood | A♭ Major | 1 | 4B | 79 BPM | |
 | We Three Kings of Orient Are (arr. J. Rutter): Three kings of Orient | John Henry Hopkins Jr., The Cambridge Singers, Cambridge Orchestra, John Rutter | G Major | 1 | 9B | 81 BPM | |
 | O God, Our Help in Ages Past ("St. Anne") | The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker | D Major | 3 | 10B | 74 BPM | |
 | Lo, How A Rose E'er Blooming | The Singers - Minnesota Choral Artists | E Major | 0 | 12B | 119 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.4979417324066162
End: 0.5022232532501221