"Wagner: Die Walküre, Act 1: "Winterstürme wichen dem Wonnemond" (Siegmund)" by Richard Wagner, Plácido Domingo, Daniel Barenboim, Staatskapelle Berlin was released on August 12, 2022. The duration of Wagner: Die Walküre, Act 1: "Winterstürme wichen dem Wonnemond" (Siegmund) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Wagner: Die Walküre, Act 1: "Winterstürme wichen dem Wonnemond" (Siegmund)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Plácido Domingo Sings Wagner". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. In terms of popularity, Wagner: Die Walküre, Act 1: "Winterstürme wichen dem Wonnemond" (Siegmund) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wagner: Die Walküre, Act 1: "Winterstürme wichen dem Wonnemond" (Siegmund) by Richard Wagner, Plácido Domingo, Daniel Barenboim, Staatskapelle Berlin having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Starke Scheite schichtet mir dort | Richard Wagner, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 83 BPM | ||
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen | Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 72 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
Symphony No. 1 in C Minor, Op. 68: 3. Un poco allegretto e grazioso | Johannes Brahms, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 78 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM |
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