"Robert le Diable, Act IV: Duo. Mon cœur s’émeut à cette voix touchante." by Giacomo Meyerbeer, Erin Morley, John Osborn, Orchestre National Bordeaux Aquitaine, Marc Minkowski was released on September 23, 2022. With Robert le Diable, Act IV: Duo. Mon cœur s’émeut à cette voix touchante. being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giacomo Meyerbeer, Orchestre National Bordeaux Aquitaine, Marc Minkowski, John Osborn's "Meyerbeer: Robert le Diable" album is number 6 out of 49. On top of that, Italy appears to be the country where this track was created. Robert le Diable, Act IV: Duo. Mon cœur s’émeut à cette voix touchante. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robert le Diable, Act IV: Duo. Mon cœur s’émeut à cette voix touchante. by Giacomo Meyerbeer, Erin Morley, John Osborn, Orchestre National Bordeaux Aquitaine, Marc Minkowski to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Robert le Diable, Act IV: Chœur et Strette. Quelle aventure ! est-ce un prestige ? | Giacomo Meyerbeer, Erin Morley, Amina Edris, John Osborn, Nico Darmanin, Chœur de l'Opéra National de Bordeaux, Orchestre National Bordeaux Aquitaine, Marc Minkowski | F Major | 2 | 7B | 85 BPM | ||
Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | C Major | 4 | 8B | 143 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act III: Pour Inès - Vile esclave - Dans l'effroi | Giacomo Meyerbeer, Michael Spyres, Andreas Bauer Kanabas, Bianca Andrew, Michael McCown, Claudia Mahnke, Kirsten MacKinnon, Brian Mulligan, Frankfurt Opera Chorus, Antonello Manacorda, Frankfurter Opern- und Museumsorchester | C Major | 2 | 8B | 133 BPM | ||
Hungarian Dance No.11 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | A Minor | 0 | 8A | 151 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
String Quartet No. 2 in D Major, K. 155: III. Molto allegro | Eder Quartet | D Major | 1 | 10B | 153 BPM | ||
Coppelia Ballet Suite: Notturno | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 80 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM |
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