Overture and Three Contredanses, K.106: Contredanse No.2 in A Major
Wolfgang Amadeus Mozart, Wiener Mozart Ensemble, Willi Boskovsky
Mozart for the Background
1:38 May 3, 2021
BPM
121
Key
A Major
Camelot
11B

Embed

Share Link

Overture and Three Contredanses, K.106: Contredanse No.2 in A Major - Wolfgang Amadeus Mozart, Wiener Mozart Ensemble, Willi Boskovsky Information

Acousticness
98%
Danceability
48%
Energy
15%
Instrumentalness
21%
Liveness
5%
Loudness
65%
Speechiness
4%
Valence
73%
Popularity
Loudness
-20.942 dB

Summary

Wolfgang Amadeus Mozart, Wiener Mozart Ensemble, Willi Boskovsky made "Overture and Three Contredanses, K.106: Contredanse No.2 in A Major" available on May 3, 2021. With Overture and Three Contredanses, K.106: Contredanse No.2 in A Major being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart's "Mozart for the Background" album is number 163 out of 185. Based on our statistics, Overture and Three Contredanses, K.106: Contredanse No.2 in A Major's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Overture and Three Contredanses, K.106: Contredanse No.2 in A Major BPM

We consider the tempo marking of Overture and Three Contredanses, K.106: Contredanse No.2 in A Major by Wolfgang Amadeus Mozart, Wiener Mozart Ensemble, Willi Boskovsky to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Overture and Three Contredanses, K.106: Contredanse No.2 in A Major Key

The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Wagner: Albumblatt, WWV 94 by Richard Wagner, Renaud CapuçonWagner: Albumblatt, WWV 94Richard Wagner, Renaud CapuçonA Major211B87 BPM
Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live by Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland OrchestraPiano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - LiveWolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland OrchestraE♭ Major05B72 BPM
Minuet from String Quintet in E Major, Op. 13 No. 5 by Luigi Boccherini, Mischa Maisky, Orpheus Chamber OrchestraMinuet from String Quintet in E Major, Op. 13 No. 5Luigi Boccherini, Mischa Maisky, Orpheus Chamber OrchestraA Major011B86 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabileFranz Joseph Haydn, Alban Berg QuartettB♭ Major16B101 BPM
Jazz Suite No. 2: 4. Waltz I by Dmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyJazz Suite No. 2: 4. Waltz IDmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyB♭ Major26B178 BPM
Solfeggio in C Minor, Wq. 117: No. 2 by Carl Philipp Emanuel Bach, See Siang WongSolfeggio in C Minor, Wq. 117: No. 2Carl Philipp Emanuel Bach, See Siang WongC Minor25A78 BPM
Violin Concerto No. 3 in G Major, K. 216: I. Allegro by Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen GunzenhauserViolin Concerto No. 3 in G Major, K. 216: I. AllegroWolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen GunzenhauserG Major19B119 BPM
Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364: 2. Andante by Wolfgang Amadeus Mozart, Giuliano Carmignola, Danusha Waskiewicz, Orchestra Mozart, Claudio AbbadoSinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364: 2. AndanteWolfgang Amadeus Mozart, Giuliano Carmignola, Danusha Waskiewicz, Orchestra Mozart, Claudio AbbadoC Minor05A107 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8870313167572021

End: 0.8902919292449951