"The Son Of Kong: Runaway Blues" by Moscow Symphony Orchestra, William T. Stromberg, John Morgan, Max Steiner was released on March 12, 2001. With The Son Of Kong: Runaway Blues being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Moscow Symphony Orchestra's "Max Steiner: The Son Of Kong / The Most Dangerous Game (Music Reconstrucion John W. Morgan)" album is number 4 out of 32. Based on our statistics, The Son Of Kong: Runaway Blues's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Son Of Kong: Runaway Blues by Moscow Symphony Orchestra, William T. Stromberg, John Morgan, Max Steiner to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shchedrin: Carmen Suite: XI. Adagio (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
Presto Paradigm | Selena Veles | E Minor | 0 | 9A | 114 BPM | ||
Arab Trio #1 | William T. Stromberg, Royal Scottish National Orchestra | B♭ Major | 1 | 6B | 147 BPM | ||
Raymonda, Op. 57: Act I - La Romanesca | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | E Minor | 0 | 9A | 90 BPM | ||
LISTEEEN | BEILY83 | E Minor | 0 | 9A | 124 BPM | ||
The Charge Of The Light Brigade | Moscow Symphony Orchestra, William T. Stromberg | C Major | 9 | 8B | 118 BPM | ||
Irene Adler (A Scandal In Bohemia) | Gabrieli String Quartet, Kenneth Sillito, Leslie Pearson, Neil Black | C Major | 2 | 8B | 96 BPM | ||
Tantseval'naya syuita (Dance Suite): Uzbek March | Aram Khachaturian, Moscow Symphony Orchestra, Dmitry Yablonsky | F Major | 2 | 7B | 78 BPM | ||
Raymonda, Op. 57: Act I - Scene mimique | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | C Major | 0 | 8B | 76 BPM |
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