"Have Mercy, Lord ('Erbame dich') (from St. Matthew Passion)" by Kathleen Ferrier, Sir Malcolm Sargent, National Symphony Orchestra was released on June 5, 2012. Since Have Mercy, Lord ('Erbame dich') (from St. Matthew Passion) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "The Very Best of Kathleen Ferrier Centenary Collection". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Have Mercy, Lord ('Erbame dich') (from St. Matthew Passion) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Have Mercy, Lord ('Erbame dich') (from St. Matthew Passion) by Kathleen Ferrier, Sir Malcolm Sargent, National Symphony Orchestra having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Lieder, Op. 86: II. Feldeinsamkeit | Johannes Brahms, Bernarda Fink, Roger Vignoles | E Minor | 0 | 9A | 94 BPM | ||
Symphony No. 2 in C Minor “resurrection”: ‘urlicht’: Sehr feierlich | Gustav Mahler, Kathleen Ferrier, Concertgewbouw Orchestra, Otto Klemperer | D♭ Major | 2 | 3B | 117 BPM | ||
Vaughan Williams: Silent noon | Kathleen Ferrier, Frederick Stone | D♭ Major | 1 | 3B | 77 BPM | ||
Songs, Op. 2: No. 2, Ó byl to krásný zlatý sen | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Kyrie | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Minor | 2 | 7A | 99 BPM | ||
Orpheus with his Lute | Edward German, Ian Bostridge, Julius Drake | E♭ Major | 0 | 5B | 73 BPM | ||
Sechs Lieder, Op. 48: Ein Traum, Op. 48/6 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | E♭ Major | 2 | 5B | 83 BPM | ||
Scots Song | Charlotte Hoather | D Major | 0 | 10B | 66 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM |
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