Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta made "The Little Island, Op. 14 No. 2" available on November 30, 2022. The duration of The Little Island, Op. 14 No. 2 is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. The Little Island, Op. 14 No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 36 in Earl Wild: Complete Piano Music by Earl Wild, Giovanni Doria Miglietta. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Little Island, Op. 14 No. 2 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Little Island, Op. 14 No. 2 by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Concerto for piano & orchestra No. 1 in B flat minor, Op.32- 1. Allegro patetico | Xaver Scharwenka, Earl Wild | E Major | 2 | 12B | 79 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
24 Caprices, Op. 1 (Excerpts): No. 13 in B-Flat Major "Devil's Laughter" [Arr. E. Wild for Viola & Piano] | Niccolò Paganini, William Primrose, Earl Wild | F♯ Minor | 1 | 11A | 93 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 32: I. Allegro patetico | Xaver Scharwenka, Earl Wild, Erich Leinsdorf | C Minor | 1 | 5A | 101 BPM | ||
Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 67 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | D♭ Major | 1 | 3B | 63 BPM |
Section: 0.6130397319793701
End: 0.6181290149688721