Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame made "Sonata No. 6 in C Minor, "The Agony in the Garden": II. Aria" available on March 24, 2023. The duration of Sonata No. 6 in C Minor, "The Agony in the Garden": II. Aria is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Sonata No. 6 in C Minor, "The Agony in the Garden": II. Aria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 47 in Biber: The Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Sonata No. 6 in C Minor, "The Agony in the Garden": II. Aria is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata No. 6 in C Minor, "The Agony in the Garden": II. Aria by Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maddalena ai piedi di Cristo: No. 6 Aria Amor Celeste "La ragione, s'un'alma conseglia" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | E Major | 2 | 12B | 80 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Befiehl dem Engel, dass er komm' in A Minor, BuxWV 10 | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | A Minor | 1 | 8A | 83 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: II. Sarabande | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B Minor | 1 | 10A | 128 BPM | ||
Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM |
Section: 0.6160922050476074
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