"The Planets, Op. 32 (version for 2 pianos): III. Mercury, the Winged Messenger" by Gustav Holst, Richard Rodney Bennett, Susan Bradshaw was released on January 1, 1987. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Holst, Richard Rodney Bennett's "Holst, G.: Planets (The) (Version for 2 Pianos)" album is number 3 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Planets, Op. 32 (version for 2 pianos): III. Mercury, the Winged Messenger's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32 (version for 2 pianos): III. Mercury, the Winged Messenger by Gustav Holst, Richard Rodney Bennett, Susan Bradshaw to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
A Somerset Rhapsody, Op. 21, No. 2 | Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | B Minor | 0 | 10A | 65 BPM | ||
Dance Of The Comedians | Bedřich Smetana, Symphony Orchestra Of Canada, Stefanos Karabekos | C Major | 3 | 8B | 76 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Concerto grosso No.1: 1. Prelude: Allegro energico e pesante | Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson | B♭ Major | 3 | 6B | 129 BPM |
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