Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson's 'Concerto grosso No.1: 1. Prelude: Allegro energico e pesante' came out on May 14, 1991. The duration of Concerto grosso No.1: 1. Prelude: Allegro energico e pesante is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Concerto grosso No.1: 1. Prelude: Allegro energico e pesante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 9 in Bloch: Concerto Grosso No. 1 & No. 2/Schelomo by Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson, Georges Miquelle. Based on our statistics, Concerto grosso No.1: 1. Prelude: Allegro energico e pesante's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto grosso No.1: 1. Prelude: Allegro energico e pesante by Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Jewish Life (arr. C. Palmer): I. Prayer | Christopher Palmer, Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy | F Minor | 0 | 4A | 87 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Double Bass Concerto, Op. 3: II. Andante | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | B Minor | 1 | 10A | 131 BPM | ||
Suite Modale: IV. Adagio - Allegro Deciso | Carlo Corazza, Ernest Bloch | B Minor | 2 | 10A | 78 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
The Incredible Flutist - Ballet Suite: 1. Introduction: Siesta in the Market Place | Walter Piston, Joseph Mariano, The Eastman-Rochester Orchestra, Howard Hanson | F♯ Minor | 1 | 11A | 87 BPM | ||
Fall River Legend (Ballet Suite): 6. Epilogue | Morton Gould, The Eastman-Rochester Orchestra, Howard Hanson | E♭ Major | 2 | 5B | 115 BPM | ||
Suite Hébraïque (1953): 1. Rapsodie | Ernest Bloch, Paul Cortese, Michel Wagemans | E Minor | 3 | 9A | 132 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 3. Allegretto | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM |
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