"Songs of Travel (Version for Cello & Piano): No. 7, Wither Must I Wander?" by Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham was released on May 10, 2024. With this song being about 5 minutes long, at 4:38, "Songs of Travel (Version for Cello & Piano): No. 7, Wither Must I Wander?" by Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 21 out of 21 in Folk Tales, Vol. 2: British & Irish Miniatures by Gerald Peregrine, Antony Ingham, Lynda O'Connor. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Songs of Travel (Version for Cello & Piano): No. 7, Wither Must I Wander?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songs of Travel (Version for Cello & Piano): No. 7, Wither Must I Wander? by Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 87 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM |
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