"Four Motets, Op. 133: II. Meditabor" by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale was released on October 1, 2007. The duration of Four Motets, Op. 133: II. Meditabor is about 3 minutes long, at 3:14. Based on our data, "Four Motets, Op. 133: II. Meditabor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Rheinberger: Oster-Hymne, Vier sechsstimmige Motetten & Mass". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Four Motets, Op. 133: II. Meditabor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Four Motets, Op. 133: II. Meditabor by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
Chanson d'automne | Alphons Diepenbrock, Netherlands Chamber Choir, Anton Verheij | A Major | 0 | 11B | 111 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
Les Chansons des Roses: V. Dirait-on | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 0 | 3B | 141 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Suite for Violin, Cello, Organ and String Orchestra, Op. 149: IV. Finale, Con moto | Josef Rheinberger, Hans-Dieter Karras, Karl-Heinrich Starke, Holger Uhlmann, Dieter Kempe, Lausitzer Philharmonie | D♭ Major | 0 | 3B | 79 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM |
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