"Les Chansons des Roses: V. Dirait-on" by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt was released on October 26, 2018. With this song being about 5 minutes long, at 5:16, "Les Chansons des Roses: V. Dirait-on" by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt's "Light Eternal – The Choral Music of Morten Lauridsen" album is number 7 out of 17. Based on our statistics, Les Chansons des Roses: V. Dirait-on's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Chansons des Roses: V. Dirait-on by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Dulcissima Maria | Morten Lauridsen, Cantus | A Major | 1 | 11B | 111 BPM | ||
O Nata Lux | Morten Lauridsen, The King's Singers | G Major | 1 | 9B | 78 BPM | ||
Spagnolette | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 86 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 10, "Oh wie sanft die Quelle sich" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | G Major | 2 | 9B | 134 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Madrigali: No. 2. Quando son piu lontan | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | E Minor | 1 | 9A | 99 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM |
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