Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Willy Hofmann, Franz Fehringer, Benno Kusche made "Schwarzwaldmädel: "Ach, die Weiber sind ein Übel" - "Die Weibsleut', die sind eine Brut" (Richard, Hans, Blasius)" available on September 29, 2014. The duration of Schwarzwaldmädel: "Ach, die Weiber sind ein Übel" - "Die Weibsleut', die sind eine Brut" (Richard, Hans, Blasius) is about 3 minutes long, at 3:09. Based on our data, "Schwarzwaldmädel: "Ach, die Weiber sind ein Übel" - "Die Weibsleut', die sind eine Brut" (Richard, Hans, Blasius)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Franz Fehringer, Gretl Schörg's "Jessel: Schwarzwaldmädel" album is number 7 out of 30. In terms of popularity, Schwarzwaldmädel: "Ach, die Weiber sind ein Übel" - "Die Weibsleut', die sind eine Brut" (Richard, Hans, Blasius) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Schwarzwaldmädel: "Ach, die Weiber sind ein Übel" - "Die Weibsleut', die sind eine Brut" (Richard, Hans, Blasius) by Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Willy Hofmann, Franz Fehringer, Benno Kusche to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paradise of Body | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | D Minor | 3 | 7A | 100 BPM | ||
Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | A Major | 1 | 11B | 130 BPM | ||
「八甲田山」 終焉 | 芥川也寸志, Taizo Takemoto, Japan Philharmonic Orchestra | B♭ Major | 2 | 6B | 134 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
Strohfeuer-Polka | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | C Major | 3 | 8B | 151 BPM | ||
The Penny-Whistle Song | Leroy Anderson, Cologne West German Radio Orchestra, Pinchas Steinberg | G Major | 2 | 9B | 86 BPM | ||
Einzug der Gladiatoren, Op. 68 "Triumph March" | Julius Fučík, Tschechische Philharmonie, Václav Neumann | C Major | 7 | 8B | 120 BPM | ||
Wer tanzt mit? Polka schnell, Op. 251 | Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 4 | 10B | 83 BPM |
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