"Einzug der Gladiatoren, Op. 68 "Triumph March"" by Julius Fučík, Tschechische Philharmonie, Václav Neumann was released on January 1, 2016. The duration of Einzug der Gladiatoren, Op. 68 "Triumph March" is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Einzug der Gladiatoren, Op. 68 "Triumph March"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 8 in Fučík: Marches & Waltzes by Julius Fučík, Václav Neumann, Tschechische Philharmonie. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Einzug der Gladiatoren, Op. 68 "Triumph March"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Einzug der Gladiatoren, Op. 68 "Triumph March" by Julius Fučík, Tschechische Philharmonie, Václav Neumann is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
L'Arlésienne Suite No.2: Farandole | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 4 | 10B | 85 BPM | ||
Las Castañuelas | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 3 | 7B | 141 BPM | ||
Also sprach Zarathustra, Op. 30: Sonnenaufgang | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | C Major | 1 | 8B | 76 BPM | ||
To Our Girls. Polka in D Major, JB 1:86 - Arr. for Orchestra | Bedřich Smetana, Czech Philharmonic Orchestra, Václav Neumann | D Major | 2 | 10B | 101 BPM | ||
Nicolai: Die lustigen Weiber von Windsor: Ouvertüre | Otto Nicolai, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 71 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Major | 1 | 8B | 131 BPM | ||
Unter Donner und Blitz Polka, Op. 324 | Johann Strauss II, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 4 | 9B | 78 BPM |
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