"3 Pieces for Cello & Piano: I. Moderato" by Nadia Boulanger, Matt Haimovitz, Mari Kodama was released on November 6, 2020. The duration of 3 Pieces for Cello & Piano: I. Moderato is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. 3 Pieces for Cello & Piano: I. Moderato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matt Haimovitz, Mari Kodama's "MON AMI, MON AMOUR" album is number 9 out of 16. On top of that, Netherlands appears to be the country where this track was created. The popularity of 3 Pieces for Cello & Piano: I. Moderato is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Pieces for Cello & Piano: I. Moderato by Nadia Boulanger, Matt Haimovitz, Mari Kodama to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
3 Pieces for Cello and Piano: III. Vite et nerveusement rhythmé | Nadia Boulanger, Yoshika Masuda, HyeJin Kim | D♭ Major | 2 | 3B | 143 BPM | ||
Pärt: Für Alina | Arvo Pärt, Sergei Babayan | G Major | 0 | 9B | 130 BPM | ||
6 Romances sans paroles, Op. 76: No. 1. Souvenance | Cécile Chaminade, Cindy Lin | E Minor | 1 | 9A | 65 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
18 Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt | Johannes Brahms, Irene Kedroff, Marie-Blanche de Polignac, Paul Derenne, Doda Conrad, Dinu Lipatti, Nadia Boulanger | A♭ Major | 1 | 4B | 80 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Brahms: Waltzes, Op. 39 - Reprise | Johannes Brahms, Dinu Lipatti, Nadia Boulanger | B Major | 1 | 1B | 93 BPM |
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