1 | ![Cello Sonata, FP 143: I. Allegro – Tempo di Marcia by Francis Poulenc, Matt Haimovitz, Mari Kodama]() | Cello Sonata, FP 143: I. Allegro – Tempo di Marcia | Francis Poulenc, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
2 | ![Cello Sonata, FP 143: II. Cavatine by Francis Poulenc, Matt Haimovitz, Mari Kodama]() | Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
3 | ![Cello Sonata, FP 143: III. Ballabile by Francis Poulenc, Matt Haimovitz, Mari Kodama]() | Cello Sonata, FP 143: III. Ballabile | Francis Poulenc, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
4 | ![Cello Sonata, FP 143: IV. Finale by Francis Poulenc, Matt Haimovitz, Mari Kodama]() | Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
5 | ![Papillon, Op. 77 by Gabriel Fauré, Matt Haimovitz, Mari Kodama]() | Papillon, Op. 77 | Gabriel Fauré, Matt Haimovitz, Mari Kodama | E Major | 12B | 109 |
6 | ![Élégie, Op. 251 (Version for Cello & Piano) by Darius Milhaud, Matt Haimovitz, Mari Kodama]() | Élégie, Op. 251 (Version for Cello & Piano) | Darius Milhaud, Matt Haimovitz, Mari Kodama | F Major | 7B | 69 |
7 | ![2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano): No. 1, Nocturne by Lili Boulanger, Matt Haimovitz, Mari Kodama]() | 2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano): No. 1, Nocturne | Lili Boulanger, Matt Haimovitz, Mari Kodama | C Major | 8B | 102 |
8 | ![2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano): No.2, Cortège by Lili Boulanger, Matt Haimovitz, Mari Kodama]() | 2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano): No.2, Cortège | Lili Boulanger, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
9 | ![3 Pieces for Cello & Piano: I. Moderato by Nadia Boulanger, Matt Haimovitz, Mari Kodama]() | 3 Pieces for Cello & Piano: I. Moderato | Nadia Boulanger, Matt Haimovitz, Mari Kodama | E♭ Minor | 2A | 169 |
10 | ![3 Pieces for Cello & Piano: II. Sans vitesse et à l'aise by Nadia Boulanger, Matt Haimovitz, Mari Kodama]() | 3 Pieces for Cello & Piano: II. Sans vitesse et à l'aise | Nadia Boulanger, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
11 | ![3 Pieces for Cello & Piano: III. Vite et nerveusement rythmé by Nadia Boulanger, Matt Haimovitz, Mari Kodama]() | 3 Pieces for Cello & Piano: III. Vite et nerveusement rythmé | Nadia Boulanger, Matt Haimovitz, Mari Kodama | A♭ Major | 4B | 134 |
12 | ![2 Mélodies hébraïques, M. 22a: No. 1, Kaddish (Arr. M. Haimovitz for Cello & Piano) by Maurice Ravel, Matt Haimovitz, Mari Kodama]() | 2 Mélodies hébraïques, M. 22a: No. 1, Kaddish (Arr. M. Haimovitz for Cello & Piano) | Maurice Ravel, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
13 | ![Cello Sonata in D Minor, L. 135: I. Prologue. Lent, sostenuto e molto risoluto by Claude Debussy, Matt Haimovitz, Mari Kodama]() | Cello Sonata in D Minor, L. 135: I. Prologue. Lent, sostenuto e molto risoluto | Claude Debussy, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
14 | ![Cello Sonata in D Minor, L. 135: II. Sérénade. Modérément animé by Claude Debussy, Matt Haimovitz, Mari Kodama]() | Cello Sonata in D Minor, L. 135: II. Sérénade. Modérément animé | Claude Debussy, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
15 | ![Cello Sonata in D Minor, L. 135: III. Finale. Animé, léger et nerveux by Claude Debussy, Matt Haimovitz, Mari Kodama]() | Cello Sonata in D Minor, L. 135: III. Finale. Animé, léger et nerveux | Claude Debussy, Matt Haimovitz, Mari Kodama | E♭ Major | 5B | 93 |
16 | ![Après un rêve, Op. 7 No. 1 (Arr. for Cello & Piano) by Gabriel Fauré, Matt Haimovitz, Mari Kodama]() | Après un rêve, Op. 7 No. 1 (Arr. for Cello & Piano) | Gabriel Fauré, Matt Haimovitz, Mari Kodama | F Minor | 4A | 91 |