Nadia Boulanger, Matt Haimovitz, Mari Kodama's '3 Pieces for Cello & Piano: III. Vite et nerveusement rythmé' came out on November 6, 2020. The duration of 3 Pieces for Cello & Piano: III. Vite et nerveusement rythmé is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. 3 Pieces for Cello & Piano: III. Vite et nerveusement rythmé's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matt Haimovitz, Mari Kodama's "MON AMI, MON AMOUR" album is number 11 out of 16. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, 3 Pieces for Cello & Piano: III. Vite et nerveusement rythmé's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Pieces for Cello & Piano: III. Vite et nerveusement rythmé by Nadia Boulanger, Matt Haimovitz, Mari Kodama to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM | ||
Sonate pour hautbois et piano: Déploration | Francis Poulenc, Jean-Louis Capezzali, Jean-Pierre Armengaud | B♭ Minor | 0 | 3A | 108 BPM | ||
16 Waltzes, Op. 39: No. 15 in A Major (Version for Piano Duo) | Johannes Brahms, Dinu Lipatti, Nadia Boulanger | A Major | 0 | 11B | 117 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM |
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