- BPM
- 133
- Key
- G Major
- Camelot
- 9B
Maria Stuarda / Act 1: "Ah! quando all'ara scorgemi" - Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado Information
- Acousticness
- 99%
- Danceability
- 26%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -23.934 dB
Summary
"Maria Stuarda / Act 1: "Ah! quando all'ara scorgemi"" by Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado was released on January 1, 2009. The duration of Maria Stuarda / Act 1: "Ah! quando all'ara scorgemi" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Maria Stuarda / Act 1: "Ah! quando all'ara scorgemi"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 21 in Bel Canto by Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado. Based on our statistics, Maria Stuarda / Act 1: "Ah! quando all'ara scorgemi"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Maria Stuarda / Act 1: "Ah! quando all'ara scorgemi" BPM
The tempo marking of Maria Stuarda / Act 1: "Ah! quando all'ara scorgemi" by Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Maria Stuarda / Act 1: "Ah! quando all'ara scorgemi" Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" - Live In London / 1996 | Wolfgang Amadeus Mozart, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | C Major | 0 | 8B | 126 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | |
 | Rossini: Otello, Act 2: "Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | F Major | 4 | 7B | 140 BPM | |
 | La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | |
 | Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Georges Bizet, Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 81 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | |
 | Così fan tutte, K. 588 / Act 1: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker | E Major | 2 | 12B | 124 BPM | |
 | Lucia di Lammermoor (1997 Digital Remaster): Percorrete...Percorriamo..le spiaggie vicine | Gaetano Donizetti, Mario Carlin, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | B♭ Major | 3 | 6B | 106 BPM | |
 | L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.2016828060150146
End: 1.206542730331421