George Frideric Handel, Martin Stadtfeld's 'Trio Sonata in G Major, HWV 399, Op. 5 No. 4: III. Passacaille (Arr. for Piano)' came out on November 8, 2019. Trio Sonata in G Major, HWV 399, Op. 5 No. 4: III. Passacaille (Arr. for Piano) is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Martin Stadtfeld's "Handel Variations" album is number 4 out of 26. The popularity of Trio Sonata in G Major, HWV 399, Op. 5 No. 4: III. Passacaille (Arr. for Piano) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio Sonata in G Major, HWV 399, Op. 5 No. 4: III. Passacaille (Arr. for Piano) by George Frideric Handel, Martin Stadtfeld to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Sonata in C Major, Kk. 159 | Domenico Scarlatti, Daniel Barenboim | C Major | 1 | 8B | 177 BPM | ||
Nocturne No. 4 in A Major, H.36 | John Field, Elizabeth Joy Roe | A Major | 1 | 11B | 68 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
3 Romances, Op. 11: No. 2, Andante - Allegro passionato | Clara Schumann, Isata Kanneh-Mason | G Minor | 0 | 6A | 64 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Sonata in G Major, K. 14 | Domenico Scarlatti, Lucas Debargue | G Major | 2 | 9B | 91 BPM |
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