Robert Schumann, SWR Symphony Orchestra, Michael Gielen made "Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo" available on July 27, 2010. Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Schumann: Symphonies Nos. 2 and 3". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo by Robert Schumann, SWR Symphony Orchestra, Michael Gielen having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Schumann: Minnespiel aus Friedrich Rückerts "Liebesfrühling", Op. 101: No. 7, Duett, "Die tausend Grüsse die wir dir senden" (Mit Feuer) | Friedrich Rückert, Robert Schumann, Erik Werba | C Major | 3 | 8B | 111 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Spanische Liebeslieder, Op. 138: 1. Vorspiel | Robert Schumann, Emanuel Geibel, Christian Gerhaher, Gerold Huber, Julia Kleiter | G Minor | 1 | 6A | 105 BPM | ||
Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Francesca Dego, BBC Symphony Orchestra, Dalia Stasevska | C Major | 0 | 8B | 87 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |
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