Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Brigitte Mira, Richard Holm, Erika Köth's 'Das Veilchen von Montmartre, Act II: "Ich bin nun da und wir sind ganz allein" - "Frag nicht nach der Treue, wenn die Liebe lacht" (Ninon, Raoul, Violetta)' came out on September 29, 2014. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Erika Köth, Hans Hermann Schaufuss's "Kálmán: Das Veilchen von Montmartre" album is number 21 out of 29. On top of that, Germany appears to be the country where this track was created. Das Veilchen von Montmartre, Act II: "Ich bin nun da und wir sind ganz allein" - "Frag nicht nach der Treue, wenn die Liebe lacht" (Ninon, Raoul, Violetta) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Veilchen von Montmartre, Act II: "Ich bin nun da und wir sind ganz allein" - "Frag nicht nach der Treue, wenn die Liebe lacht" (Ninon, Raoul, Violetta) by Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Brigitte Mira, Richard Holm, Erika Köth to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gräfin Mariza - Operetta in 3 Acts: Einleitung - Höre ich Zigeunergeigen | Emmerich Kálmán, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 91 BPM | ||
Die Lombarden: O Signore, dal tetto natio | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 1 | 8B | 80 BPM | ||
Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Grüß euch Gott, alle miteinander (Adam - Chor) | Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Chor der Wiener Staatsoper in der Volksoper, Wiener Symphoniker, Renate Holm, Jürgen Förster, Karl Dönch, Wolfgang Anheisser, Willi Boskovsky | G Major | 2 | 9B | 93 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
"Im Prater blühn wieder die Bäume" | Robert Stolz, Fritz Wunderlich, Vienna State Opera Chorus, Vienna Volksoper Orchestra | F Major | 3 | 7B | 86 BPM | ||
Paganini: "Gern hab ich die Frau'n geküsst" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | E♭ Major | 1 | 5B | 77 BPM | ||
Les Pêcheurs de perles: C'est elle! Elle vient...Sois la bienvenue (Fishermen, Villagers) | Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | D Minor | 8 | 7A | 140 BPM | ||
Offenbach: Die schöne Helena (Gesamt) 1. Akt (1994 Digital Remaster): Nr. 7b: Ich bin Ajax, Held im Kriege | Jacques Offenbach, Bavarian Radio Chorus, Brigitte Fassbaender, Martin Finke, Ferry Gruber, Klaus Hirte, Benno Kusche (Bariton), Norbert Orth, Willy Mattes, Friedrich Lenz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Major | 4 | 10B | 80 BPM | ||
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
Columbine Polka-Mazurka (1862) | Hans Christian Lumbye, Tivoli Symphony Orchestra | F Major | 1 | 7B | 113 BPM |
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