Das schöne neue Musik Salonorchester, Susanne Erner, Bariton, Sopran, Rudolf Vogel, Clemens Unterreiner, Bass made "1919 Märzgedenken: II. AUS WILSONS 14 PUNKTE-PLAN - Terzett" available on February 26, 2011. With 1919 Märzgedenken: II. AUS WILSONS 14 PUNKTE-PLAN - Terzett being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 1919 Märzgedenken - Die Sudetendeutschen - Ihr Leidensweg - wie es begann, so we believe that "1919 Märzgedenken: II. AUS WILSONS 14 PUNKTE-PLAN - Terzett" is a single. In terms of popularity, 1919 Märzgedenken: II. AUS WILSONS 14 PUNKTE-PLAN - Terzett is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 1919 Märzgedenken: II. AUS WILSONS 14 PUNKTE-PLAN - Terzett by Das schöne neue Musik Salonorchester, Susanne Erner, Bariton, Sopran, Rudolf Vogel, Clemens Unterreiner, Bass is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
War | Andrew Willis | E Minor | 5 | 9A | 150 BPM | ||
Violin Sonata No. 10 in G Major, Op. 96: II. Adagio espressivo | Ludwig van Beethoven, Antje Weithaas, Dénes Várjon | G Major | 1 | 9B | 180 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
レクイエム | カール・ベーム, ウィーンフィルハーモニー管弦楽団, ウィーン国立歌劇場合唱団 | F Major | 1 | 7B | 112 BPM | ||
Quartet In D The Randolph | George Fenton | D Major | 0 | 10B | 120 BPM | ||
Symphony No. 62 in D Major, Hob. I:62: II. Allegretto | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Gutkünstler-Couplets: Immer angepaßt! - Tenor / Frauenchor / Salonorchester | Alexander Blechinger, Harmonia Classica Frauenchor, Das schöne neue Musik Salonorchester | E Minor | 5 | 9A | 123 BPM | ||
交響曲 第40番 K.550~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Minor | 3 | 6A | 133 BPM | ||
L'Olimpiade: Sinfonia | Domenico Cimarosa, Christophe Rousset, Les Talens Lyriques | B♭ Major | 3 | 6B | 94 BPM | ||
12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation X. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | F Minor | 0 | 4A | 83 BPM |
Section: 0.6725912094116211
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