"オーボエ協奏曲変ロ長調Op7-3" by Tomaso Albinoni, Fumiaki Miyamoto had its release date on February 28, 2007. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. オーボエ協奏曲変ロ長調Op7-3's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ファイナル・オーケストラスペシャル・ライヴ-オーボエ協奏曲集, so we believe that "オーボエ協奏曲変ロ長調Op7-3" is a single. Based on our statistics, オーボエ協奏曲変ロ長調Op7-3's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of オーボエ協奏曲変ロ長調Op7-3 by Tomaso Albinoni, Fumiaki Miyamoto is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: III. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 4 | 8B | 131 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM | ||
Sinfonia in E major, RV 132: I. Allegro | Karoly Botvay | E Major | 1 | 12B | 108 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |