Johann Adolf Hasse, Jordi Savall made "Canzonette veneziane da battello. Raccolta di gondoliere: Mia cara Anzoletta" available on January 26, 2018. The duration of Canzonette veneziane da battello. Raccolta di gondoliere: Mia cara Anzoletta is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Canzonette veneziane da battello. Raccolta di gondoliere: Mia cara Anzoletta's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Venezia Millenaria by Jordi Savall. The song's track number on the album is #16 out of 37 tracks. In terms of popularity, Canzonette veneziane da battello. Raccolta di gondoliere: Mia cara Anzoletta is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Canzonette veneziane da battello. Raccolta di gondoliere: Mia cara Anzoletta by Johann Adolf Hasse, Jordi Savall has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Canzonette veneziane da battello. Raccolta di gondoliere: Mia cara Anzoletta being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Artaserse, Act III: Giusto re, la Persia adora (Live) | Johann Adolf Hasse, Anicio Zorzi Giustiniani, Maria Grazia Schiavo, Sonia Prina, Franco Fagioli, Rosa Bove, Antonio Giovannini, Ensemble Barocco dell’Orchestra Internazionale d’Italia, Corrado Rovaris | D♭ Major | 5 | 3B | 100 BPM | ||
Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | B Major | 3 | 1B | 97 BPM | ||
Miserere in C Minor: Libera me (Soprano, Alto) | Johann Adolf Hasse, Mária Zádori, Kai Wessel, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | A Major | 1 | 11B | 98 BPM | ||
Caccini: Le nuove musiche: VIII. Amarilli, mia bella | Giulio Caccini, Nathalie Stutzmann, Marie-Domitille Murez | F♯ Major | 1 | 2B | 170 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Cleofide: Act I Scene 1: Aria: Che sorte crudele (Cleofide) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | E♭ Minor | 0 | 2A | 109 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Oboe Concerto in F major after BWV 49 & 169: Allegro | Johann Sebastian Bach, Hans-Peter Westermann | D♭ Minor | 2 | 12A | 95 BPM | ||
Maddalena ai piedi di Cristo: No. 6 Aria Amor Celeste "La ragione, s'un'alma conseglia" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | E Major | 2 | 12B | 80 BPM |
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