"Suor Angelica, Opera lirica in un atto: "Senza mamma, o bimbo"" by Giacomo Puccini, Maria Chiara, Vienna Volksoper Orchestra, Nello Santi was released on January 1, 2004. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maria Chiara's "Maria Chiara: The Decca Recitals" album is number 6 out of 28. Suor Angelica, Opera lirica in un atto: "Senza mamma, o bimbo" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suor Angelica, Opera lirica in un atto: "Senza mamma, o bimbo" by Giacomo Puccini, Maria Chiara, Vienna Volksoper Orchestra, Nello Santi to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly (1986 - Remaster), Act I: Vogliatemi bene, un bene piccolino (Pinkerton/Butterfly) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F Major | 2 | 7B | 87 BPM | ||
Turandot, SC 91, Act III: Nessun dorma! | Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 3 | 10B | 84 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Bimba dagli occhi pieni di malìa | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 6 | 10B | 107 BPM | ||
Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Pinkerton, Sharpless) | Giacomo Puccini, Jonas Kaufmann, Fabio Maria Capitanucci, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 2 | 3B | 77 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Giacomo Puccini, Mario del Monaco, Orchestra, Franco Ghione | C Major | 4 | 8B | 120 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Cavalleria Rusticana (1987 - Remaster): Preludio (Orchestra) | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 2 | 7B | 85 BPM |
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