William Grant Still, Neeme Järvi, Detroit Symphony Orchestra made "Symphony No. 1, "Afro-American": III. Animato" available on January 1, 1993. The duration of Symphony No. 1, "Afro-American": III. Animato is about 3 minutes long, at 3:09. Based on our data, "Symphony No. 1, "Afro-American": III. Animato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Still: Symphony No. 1 & Ellington: The River". In this album, this song's track order is #3. Based on our statistics, Symphony No. 1, "Afro-American": III. Animato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 1, "Afro-American": III. Animato by William Grant Still, Neeme Järvi, Detroit Symphony Orchestra having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reflection | Víkingur Ólafsson | D♭ Major | 0 | 3B | 106 BPM | ||
Traditional: Danny Boy | Xuefei Yang | A Major | 2 | 11B | 74 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Still | Ola Gjeilo | C Major | 0 | 8B | 71 BPM | ||
Passage | Joep Beving | G Major | 0 | 9B | 60 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Symphony No. 3, "The Sunday Symphony": III. Relaxation: Gaily | William Grant Still, Fort Smith Symphony, John Jeter | G Major | 2 | 9B | 80 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM |
Section: 0.6755552291870117
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