"Wo die Zitronen blüh'n, Op. 364 (Arr. Schönherr)" by Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-Theussl was released on May 29, 1987. Since Wo die Zitronen blüh'n, Op. 364 (Arr. Schönherr) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Frühlingsstimmen - Strauss Waltzes by Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-Theussl. Wo die Zitronen blüh'n, Op. 364 (Arr. Schönherr) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wo die Zitronen blüh'n, Op. 364 (Arr. Schönherr) by Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-Theussl is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
Die Gottin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 111 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 2: Cavatina: Largo al factotum della citta | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 3 | 8B | 76 BPM | ||
Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra | D♭ Minor | 2 | 12A | 93 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM |
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