Gaetano Donizetti, Salvadore Cammarano, William Wildermann, Mario Zanasi, Dame Joan Sutherland, Richard Tucker, Margery MacKay, Piero de Palma, Mariano Caruso, Chicago Lyric Opera Chorus, Chicago Lyric Opera Orchestra, Antonino Votto's 'Lucia di Lammermoor, Act II: T'allontana, sciagurato (Enrico, Arturo, Normanno, Chorus, Raimondo)' came out on September 9, 2010. With Lucia di Lammermoor, Act II: T'allontana, sciagurato (Enrico, Arturo, Normanno, Chorus, Raimondo) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 42 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Chicago Lyric Opera Chorus, Chicago Lyric Opera Orchestra, Antonino Votto, Saul Caston. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lucia di Lammermoor, Act II: T'allontana, sciagurato (Enrico, Arturo, Normanno, Chorus, Raimondo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act II: T'allontana, sciagurato (Enrico, Arturo, Normanno, Chorus, Raimondo) by Gaetano Donizetti, Salvadore Cammarano, William Wildermann, Mario Zanasi, Dame Joan Sutherland, Richard Tucker, Margery MacKay, Piero de Palma, Mariano Caruso, Chicago Lyric Opera Chorus, Chicago Lyric Opera Orchestra, Antonino Votto is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Gianna D'Angelo, Ettore Bastianini, Fernando Corena, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 100 BPM | ||
Anna Bolena / Act 1: "Deh! non voler costringere" | Gaetano Donizetti, Bernadette Manca Di Nissa, Dame Joan Sutherland, Susanne Mentzer, Chorus of the Welsh National Opera, Welsh National Opera Orchestra, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Dinorah, '(Le) pardon de Ploërmel' (1997 Digital Remaster): Ombre légère (Shadow Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 135 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 76 BPM | ||
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM |
Section: 0.7813694477081299
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