"Choeur Final De L'Ode Funebre BWV 198 - Doch Konigin! Du Stirbest Nicht (J.S. Bach)" by Emile Naoumoff was released on 1998. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emile Naoumoff's "Jean-Sebastien Bach - Transcriptions Pour Piano" album is number 7 out of 13. Choeur Final De L'Ode Funebre BWV 198 - Doch Konigin! Du Stirbest Nicht (J.S. Bach) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Choeur Final De L'Ode Funebre BWV 198 - Doch Konigin! Du Stirbest Nicht (J.S. Bach) by Emile Naoumoff to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L.117: 8. La fille aux cheveux de lin | Claude Debussy, Pierre-Laurent Aimard | F♯ Major | 0 | 2B | 135 BPM | ||
Poetic Tone Pictures, Op.85: VI. Sorrowful Reverie | Antonín Dvořák, Leif Ove Andsnes | A Minor | 0 | 8A | 137 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
6 Préludes: No. 2. Très calme | Jean Roger-Ducasse, Joel Hastings | B Major | 0 | 1B | 132 BPM | ||
Le Retour (1912) Pour Mezzo-Soprano Et Piano | Helene Schneiderman, Emile Naoumoff, Philharmonia Chor Stuttgart, Helmut Wolf | F♯ Major | 1 | 2B | 111 BPM | ||
Petite suite en 15 images: Berceuse aux etoiles (Lullaby under the Stars) | Jacques Ibert, Hae Won Chang | C Major | 0 | 8B | 72 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Dans L'Immense Tristesse (1916) - Pour Mezzo-Soprano Et Piano | Lili Boulanger, Helene Schneiderman, Emile Naoumoff, Philharmonia Chor Stuttgart, Helmut Wolf | D♭ Major | 0 | 3B | 86 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM |
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