On January 1, 1993, the song "Symphony No.2 in A major: 2. Vivace" was released by William Boyce, Academy of Ancient Music, Christopher Hogwood. With Symphony No.2 in A major: 2. Vivace being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 23 in Boyce: 8 Symphonies, Op.2 by William Boyce, Academy of Ancient Music, Christopher Hogwood. Based on our statistics, Symphony No.2 in A major: 2. Vivace's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphony No.2 in A major: 2. Vivace by William Boyce, Academy of Ancient Music, Christopher Hogwood is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Les Indes galantes, Prologue, Scène 2: Entrée des 4 nations | Jean-Philippe Rameau, Les Arts Florissants, William Christie | E♭ Minor | 0 | 2A | 169 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Cello Concerto In C Major, Hob.VIIb:1: 3. Finale (Allegro molto) | Joseph Haydn, Christophe Coin, Academy of Ancient Music, Christopher Hogwood | B♭ Major | 4 | 6B | 96 BPM | ||
Requiem, K. 626: Hostias | Wolfgang Amadeus Mozart, Stephen Cleobury, Choir of King's College, Cambridge, Academy of Ancient Music | E♭ Major | 1 | 5B | 96 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Richard Egarr, Academy of Ancient Music | D Major | 1 | 10B | 176 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM |
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