"Le Carnaval des Animaux, R.125: 1. Introduction et Marche royale du Lion" by Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit was released on January 1, 1980. The duration of Le Carnaval des Animaux, R.125: 1. Introduction et Marche royale du Lion is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Le Carnaval des Animaux, R.125: 1. Introduction et Marche royale du Lion's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Saint-Saëns: Le Carnaval des Animaux; Phaéton; Danse Macabre etc.". In this album, this song's track order is #1. Le Carnaval des Animaux, R.125: 1. Introduction et Marche royale du Lion is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Carnaval des Animaux, R.125: 1. Introduction et Marche royale du Lion by Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Life and Works of Brahms: Trio for Horn, Violin and Piano, Op. 40 (Finale) | Jeremy Siepmann | E♭ Major | 3 | 5B | 99 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
Le Carnaval des Animaux: Aquarium | Camille Saint-Saëns, Irena Grafenauer, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Edith Salmen-Weber | A Minor | 0 | 8A | 134 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Tarantella in D Minor, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 164 BPM | ||
Carnival of the Animals: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM |
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