"Julie: Act I, Scene 1" by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono was released on October 1, 2009. With Julie: Act I, Scene 1 being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 12 in Boesmans: Julie - Opera in One Act by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono. Julie: Act I, Scene 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Julie: Act I, Scene 1 by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 17 - Folge 42: Der Sandmann | Gruselkabinett, Marius Claren, Tanya Kahana, Marcel Colle, Ernst Theodor Amadeus Hoffmann | C Major | 6 | 8B | 120 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Turangalîla-Symphony: II. Chant d'amour. 1 Modéré, lourd | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
On purge bébé !, Scène 6: Il a dit « Ta gueule » | Philippe Boesmans, The Monnaie Symphony Orchestra, Bassem Akiki, Jean-Sébastien Bou, Denzil Delaere, Jodie Devos, Martin da Silva Magalhães | A♭ Major | 4 | 4B | 137 BPM | ||
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
Violin Concerto: III. Passacaglia. Andante - Moderato - Più allegro - Allegro vivace - Subito presto - a tempo, minacciando - Allegro molto - Adagio - Più adagio - Ancora meno mosso | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | A Major | 4 | 11B | 119 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Poèmes pour Mi, Premier Livre: No. 1, Action de grâces | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM |
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