"Pacini: Saffo: Ite ad Alcandro - Ippia, Faone, Chorus - Act Three" by Giovanni Pacini, Mario Guggia, Tito del Bianco, Teatro San Carlo Orchestra & Chorus was released on April 11, 2006. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Saffo". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Pacini: Saffo: Ite ad Alcandro - Ippia, Faone, Chorus - Act Three is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pacini: Saffo: Ite ad Alcandro - Ippia, Faone, Chorus - Act Three by Giovanni Pacini, Mario Guggia, Tito del Bianco, Teatro San Carlo Orchestra & Chorus having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Un ballo in maschera / Act 1: "Volta la terrea" | Giuseppe Verdi, Sumi Jo, Plácido Domingo, Wolfgang Witte, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 100 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Il fervido desiderio | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 69 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM |
Section: 0.6665902137756348
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