"Miserere a 5: No. 1, Miserere mei, Deus" by Francesco Scarlatti, Catherine Greuillet, Marie-Pierre Wattiez, Christophe Laporte, Vincent Bouchot, Paul Willenbrock, Yannick Varlet, Virginie Descharmes, Meike Augustin, Michel Renard, Pauline Warnier was released on 2001. The duration of Miserere a 5: No. 1, Miserere mei, Deus is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Miserere a 5: No. 1, Miserere mei, Deus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble William Byrd, Graham O'Reilly's "Miserere: Works by Gregorio Allegri, Leonardo Leo, Giovanni Moro da Viadana & Francesco Scarlatti" album is number 12 out of 35. Miserere a 5: No. 1, Miserere mei, Deus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere a 5: No. 1, Miserere mei, Deus by Francesco Scarlatti, Catherine Greuillet, Marie-Pierre Wattiez, Christophe Laporte, Vincent Bouchot, Paul Willenbrock, Yannick Varlet, Virginie Descharmes, Meike Augustin, Michel Renard, Pauline Warnier to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Sonata in G Minor: I. — | Giovanni Buonaventura Viviani, Veronika Skuplik, Andreas Arend | B Minor | 3 | 10A | 70 BPM | ||
St. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | C Major | 1 | 8B | 61 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Magnificat, W. E22: Gloria Patri et filio (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | C Major | 1 | 8B | 80 BPM | ||
Neubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 2 | 11A | 168 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |
Section: 0.5921690464019775
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