- BPM
- 74
- Key
- F Minor
- Camelot
- 4A
Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond - Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez Information
- Acousticness
- 97%
- Danceability
- 26%
- Energy
- 0%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 32%
- Speechiness
- 4%
- Valence
- 26%
- Popularity
- 11%
- Loudness
- -40.748 dB
Summary
Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez's 'Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond' had a release date set for January 1, 1998. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #7. Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond BPM
With Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Pierrot Lunaire, Op. 21 / Part 1: VII. Der Kranke Mond Key
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata for Clarinet and Piano: I. Grazioso | Leonard Bernstein, Jon Manasse, Jon Nakamatsu | E Minor | 0 | 9A | 102 BPM | |
 | Adams: Nixon in China: Act II, Scene 2 - "I Am the Wife of Mao Tse-tung" | John Adams, Edo de Waart, Orchestra of St. Luke's | E♭ Major | 2 | 5B | 123 BPM | |
 | The Rake's Progress / Act 1/Scene 1: "The woods are green" | Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM | |
 | Herzgewächse, Op. 20 | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | D Major | 0 | 10B | 91 BPM | |
 | Passacaglia from 'Peter Grimes' Op. 33b | Royal Liverpool Philharmonic Orchestra, Libor Pešek | C Major | 0 | 8B | 87 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Concentus Musicus Wien | E♭ Minor | 1 | 2A | 139 BPM | |
 | Magnificat in D Major, BWV 243: Deposuit potentes (Tenor) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F♯ Minor | 4 | 11A | 106 BPM | |
 | Violin Concerto (1992): II. Aria, Hoquetus, Choral: Andante con moto - attacca | György Ligeti, Saschko Gawriloff, Ensemble Intercontemporain, Pierre Boulez | G Major | 0 | 9B | 90 BPM | |
 | Gurrelieder / Pt. 1: III. Tove: O, wenn des Mondes Strahlen | Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado | B♭ Minor | 1 | 3A | 80 BPM | |
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 45, Rezitativ und Chor. "Auf das Fest aber hatte der Landpfleger" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christine Schäfer, Christoph Prégardien, Dietrich Henschel, Concentus Musicus Wien | F♯ Major | 1 | 2B | 107 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records