"Adams: Nixon in China: Act II, Scene 2 - "I Am the Wife of Mao Tse-tung"" by John Adams, Edo de Waart, Orchestra of St. Luke's was released on November 1, 1996. Since Adams: Nixon in China: Act II, Scene 2 - "I Am the Wife of Mao Tse-tung" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #28. Based on our statistics, Adams: Nixon in China: Act II, Scene 2 - "I Am the Wife of Mao Tse-tung"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adams: Nixon in China: Act II, Scene 2 - "I Am the Wife of Mao Tse-tung" by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass: Gloria: Gloria in Excelsis (Chorus) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | F Major | 0 | 7B | 81 BPM | ||
Strauss, R: An Alpine Symphony, Op. 64: XIX. Sunset | Minnesota Orchestra, Edo de Waart | B Major | 2 | 1B | 90 BPM | ||
Parsifal, WWV 111 / Act III: Ja, Wehe! Wehe! Weh' über mich! | Richard Wagner, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 0 | 8B | 166 BPM | ||
Mass: Devotions before Mass: Antiphon: Kyrie eleison (High Soprano, Bass, Soprano 2, Alto, Tenor, Baritone) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | A Major | 5 | 11B | 66 BPM | ||
Adams: Nixon in China: Act I, Scene 2 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Major | 2 | 10B | 171 BPM | ||
The Boatman's Dance (Mistrel Song) | Aaron Copland, Bruce Hubbard, Orchestra of St. Luke's, Saint Luke's Chamber Ensemble, Dennis Russell Davies | A Major | 1 | 11B | 113 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c) | Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras | C Minor | 1 | 5A | 71 BPM | ||
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
Tristan & Isolde: Vorspiel und Reigen | Richard Wagner, Edo de Waart | B♭ Minor | 0 | 3A | 69 BPM |
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