Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c) - Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras Information

Acousticness: 98%
Danceability: 26%
Energy: 5%
Instrumentalness: 0%
Liveness: 10%
Loudness: 63%
Speechiness: 7%
Valence: 9%
Popularity: 3%
Loudness: -22.303 dB

Summary

"Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c)" by Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras was released on January 1, 1996. Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c) is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Renée Fleming - Mozart Arias". In this album, this song's track order is #2. Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c) BPM

With Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c) by Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c) Key

The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. Allegro	Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra	F Major	1	7B	118 BPM
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor	Sergei Rachmaninoff, Nikolai Lugansky	G Minor	1	6A	113 BPM
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto	Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra	A Minor	2	8A	80 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major	Antonín Dvořák, Stefan Veselka	G Major	0	9B	66 BPM
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino	Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado	F Major	0	7B	106 BPM
24 Préludes, Op.28: 15. In D Flat Major	Frédéric Chopin, Martha Argerich	D♭ Major	0	3B	95 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido)	Franz Liszt, Daniel Barenboim	D♭ Major	0	3B	69 BPM
Ständchen in D Minor (After Schubert), S. 560	Franz Liszt, Lise de la Salle	D Major	0	10B	76 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6208641529083252

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