"Violin Concerto (1992): II. Aria, Hoquetus, Choral: Andante con moto - attacca" by György Ligeti, Saschko Gawriloff, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1994. Since Violin Concerto (1992): II. Aria, Hoquetus, Choral: Andante con moto - attacca is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in György Ligeti, Jean-Guihen Queyras, Saschko Gawriloff, Pierre-Laurent Aimard, Ensemble Intercontemporain, Pierre Boulez's "Ligeti: Cello Concerto; Violin Concerto; Piano Concerto" album is number 9 out of 12. In terms of popularity, Violin Concerto (1992): II. Aria, Hoquetus, Choral: Andante con moto - attacca is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto (1992): II. Aria, Hoquetus, Choral: Andante con moto - attacca by György Ligeti, Saschko Gawriloff, Ensemble Intercontemporain, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
Semi-Simple Variations | Milton Babbitt, Robert Taub | B Major | 0 | 1B | 136 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | ||
6 Chansons: No. 4. Trois moines cretois… (Three Cretan monks) | Iannis Xenakis, Stephanos Thomopoulos | A Minor | 0 | 8A | 72 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
Deuxième livre. Étude 13, L’escalier du diable | György Ligeti, Thomas Hell | A♭ Minor | 3 | 1A | 102 BPM | ||
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
M is for Man, Music, Mozart: The Eisenstein Song | Louis Andriessen, Jurjen Hempel, Orkest De Volharding | B♭ Minor | 0 | 3A | 59 BPM | ||
Nocturne | Lili Boulanger, Olivier Charlier, Emile Naoumoff | F Major | 1 | 7B | 95 BPM |
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