Will Todd, Bethany Halliday, Jim Fleeman, Gareth Huw, Jeremy Backhouse's 'Mass In Blue, Op. 28: I. Kyrie' had a release date set for September 4, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Will Todd, Vasari Singers's "Mass In Blue" album is number 1 out of 14. In terms of popularity, Mass In Blue, Op. 28: I. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass In Blue, Op. 28: I. Kyrie by Will Todd, Bethany Halliday, Jim Fleeman, Gareth Huw, Jeremy Backhouse to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now Is the Month of Maying: Now Is the Month of Maying | Thomas Morley, Laudantes Consort, Guy Janssens | G Major | 2 | 9B | 111 BPM | ||
For lo, I raise up, Op. 145 | Charles Villiers Stanford, Oliver Albert, Sophia Halberstam, Queens' College Choir, Cambridge, Silas Wollston | D♭ Major | 2 | 3B | 170 BPM | ||
Considering Matthew Shepard: Passion, 19. The Fence (one week later) | Craig Hella Johnson, Conspirare | E Minor | 1 | 9A | 77 BPM | ||
5 Mystical Songs (Arr. M. Ford for Choir & Organ): No. 2, I Got Me Flowers | Ralph Vaughan Williams, Roderick Williams, Vasari Singers, Martin Ford, Jeremy Backhouse | G Major | 2 | 9B | 138 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | E Minor | 0 | 9A | 141 BPM | ||
Songs of Magical Creatures: Full Fathom Five | Will Todd, The Bach Choir, David Hill | B Minor | 1 | 10A | 82 BPM | ||
Summertime | George Gershwin - arr. William Stickles, Vasari Singers, Jeremy Backhouse | E Minor | 0 | 9A | 85 BPM | ||
Deux Motets, Op. 53: Alma Redemptoris Mater | Marcel Dupré, Jeremy Filsell, Jeremy Backhouse | A♭ Minor | 0 | 1A | 91 BPM |