"Deux Motets, Op. 53: Alma Redemptoris Mater" by Marcel Dupré, Jeremy Filsell, Jeremy Backhouse had its release date on May 15, 2001. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 17 in Dupré: Choral Works by Marcel Dupré, Vasari Singers, Jeremy Backhouse. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Deux Motets, Op. 53: Alma Redemptoris Mater is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deux Motets, Op. 53: Alma Redemptoris Mater by Marcel Dupré, Jeremy Filsell, Jeremy Backhouse is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata In G | Dietrich Buxtehude, Bjørn Andor Drage | G Major | 1 | 9B | 67 BPM | ||
Chorales, Op. 28, No. 47: Come, Holy Ghost, Lord God | Marcel Dupré, Ben van Oosten | F Major | 2 | 7B | 76 BPM | ||
Prelude & Fugue in A Minor, WoO 9: I. Prelude | Johannes Brahms, Konstantin Volostnov | B♭ Minor | 1 | 3A | 73 BPM | ||
Cortège et Litanie, Op. 19, No. 2 | Marcel Dupré, Ben van Oosten | F Major | 2 | 7B | 76 BPM | ||
Sonnerie | Hubert Evin | E Major | 2 | 12B | 95 BPM | ||
Suite in F Minor, Op. 39: IV. Finale | Marcel Dupré, Alessandro Perin | G Major | 1 | 9B | 97 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Mozart: Ave Verum Corpus - slowed + reverb | Classical Slowed + Reverb | D♭ Major | 0 | 3B | 71 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": Ia. Adagio - Allegro moderato - - Remastered 2015 | Camille Saint-Saëns, Marcel Dupré, Detroit Symphony Orchestra, Paul Paray | D Major | 2 | 10B | 172 BPM | ||
Fugue in D Major, P153 | Johann Pachelbel, Matthew Owens | F♯ Major | 0 | 2B | 123 BPM |