Johann Pachelbel, Matthew Owens's 'Fugue in D Major, P153' came out on July 1, 2022. The duration of Fugue in D Major, P153 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Fugue in D Major, P153's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Pachelbel: Organ Works, Volume 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Fugue in D Major, P153's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fugue in D Major, P153 by Johann Pachelbel, Matthew Owens having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 5 | 3B | 118 BPM | ||
Dupré: Prelude and Fugue in G Minor, Op. 7 No. 3: Fugue | Marcel Dupré, Wayne Marshall | G Minor | 1 | 6A | 68 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: II. Adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Clarifica me II | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Divertimento para oboé e violoncelo | José Guerra Vicente, José Medeiros | B Minor | 2 | 10A | 107 BPM | ||
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 6 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 2 | 9B | 86 BPM | ||
50 Preludes and Fugues for Organ, Book 1: Prelude and Fugue No. 11 | Howard Skempton, Matthew Owens | A♭ Major | 0 | 4B | 68 BPM | ||
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): II. Allemanda: Allegro (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | B Major | 1 | 1B | 109 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM |
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