"To a Wild Rose from Woodland Sketches, Op . 51, No. 1" by Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra was released on 1974. The duration of To a Wild Rose from Woodland Sketches, Op . 51, No. 1 is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. To a Wild Rose from Woodland Sketches, Op . 51, No. 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Philadelphia Orchestra, Eugene Ormandy, The Philharmonia Orchestra, Andrew Davis, Juilliard String Quartet's "Greatest Hits - Romance" album is number 13 out of 17. On top of that, United States appears to be the country where this track was created. To a Wild Rose from Woodland Sketches, Op . 51, No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To a Wild Rose from Woodland Sketches, Op . 51, No. 1 by Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Sea Pieces, Op. 55: No. 3, A.D. MDCXX | Edward MacDowell, Alan Mandel | B♭ Minor | 0 | 3A | 75 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 69 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
6 Pieces for Piano, P. 44: No. 3, Notturno | Ottorino Respighi, Saskia Giorgini | F♯ Major | 0 | 2B | 67 BPM | ||
Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) | Henry Purcell, Martin Stadtfeld | G Minor | 0 | 6A | 67 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 114 BPM | ||
Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM |
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